Born 1959 in Jacksonville, Florida. Lives and works in New York City. SELECTED SOLO EXHIBITIONS| 2009 | Put Me in the Zoo, Sue Scott Gallery, New York, NY | | 2007 | STrAY, David Krut Projects, New York, NY [catalogue] | | 2005 | Slip, Larissa Goldston Gallery, New York, NY [catalogue] | | | Team Play Her, Shane Campbell, Chicago, IL | | 2003 | Suzanne McClelland: Drawings And Prints, KS Art, New York, NY | | 2001 | Enough Enough, Orlando Museum of Art, Orlando, FL | | 2000 | Out of Character, Paul Kasmin Gallery, New York, NY |
| Plot, Galerie Lutz and Thalmann Zurich, Switzerland [catalogue] |
| Intersections and Interruptions, Locks Gallery, Philadelphia, PA | | 1999 | Correspondence, Lemberg Gallery, Birmingham, MI |
| Elsewhere, Baldwin Gallery, Aspen, CO | | 1998 | Mothertongues, Paul Kasmin Gallery, New York, NY | | 1997 | Suzanne McClelland, Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Greensboro, NC [catalogue] |
| Tealeaves, La Louver, Venice, CA |
| Suzanne McClelland, Galerie Lawrence Rubin, Zurich, Switzerland [catalogue] |
| Suzanne McClelland, GalerieKyoko Chirathivat, Bangkok, Thailand [catalogue] | | 1996 | "Babel," Paul Kasmin Gallery, New York, NY [catalogue] | | 1995 | "Suzanne McClelland," Lemberg Gallery, Birmingham, MI |
| "Suzanne McClelland," Texas Gallery, Houston, TX |
| "Suzanne McClelland," Barbara Krakow Gallery, Boston, MA | | 1994 | "Suzanne McClelland,"Paul Kasmin Gallery, New York, NY
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| "Suzanne McClelland," La Louver, Venice, CA [catalogue] | | 1993 | "Suzanne McClelland," 303 Gallery, New York, NY |
| "Suzanne McClelland," Jason Rubell Gallery, Miami, FL | | 1992 | "Suzanne McClelland-Painting," Whitney Museum of Art at Philip Morris, site specific work, New York, NY [catalogue] |
| "Suzanne McClelland," Jason Rubell Gallery, Palm Beach, FL [catalogue] | | 1991 | "Suzanne McClelland," Stephanie Theodore Gallery, New York, NY [catalogue] |
SELECTED GROUP EXHIBITIONS2009
| Talk Dirty to Me, Larissa Goldston Gallery, New York, NY
| | 2008 | "Legerdemain," Sue Scott Gallery, New York, NY |
| "Stable Scrawl", Larissa Goldston Gallery, New York NY |
| "Grey," Dinter Fine Art, New York, NY |
| "Ithaca Collects," Johnson Museum of Art, Cornell University, Ithaca, NY |
| "More Than Words," Von Lintel Gallery, New York, NY |
| "Affinities: Painting in Abstraction," curated by Kate McNamara, Ramapo College of New Jersey, Mahwah, NJ |
| "Under the Influence," curated by Francis Bishop Good, Jane Hart, and Michelle Weinberg, Art and Cultural Center of Hollywood, Fort Lauderdale, FL | | 2007 | "Drawing, Thinking," curated by Marco Breuer, Von Lintel Gallery, New York, NY | | | "In the viewing room," curated by Lisa Sigal at Frederieke Taylor Gallery, New York, NY | | | "Horizon," curated by David Humphery, EFA, New York, NY | | | "Affinities: Abstraction in Painting," curated by Kate McNamara, Center For Curatorial Studies, Bard College, Annandale-on Hudson, NY | | | "Sex in the City," curated by Dean Daderko with Marina Adams, Dumbo Arts Center, Brooklyn, NY | | | "Post Doc-Beyond Pattern and Decoration," curated by Zina Davis, Joseloff Gallery, University of Hartford, West Hartford, CT | | | "What F Word?," curated by Carol Cole Levin, Cynthia Broan Gallery, New York, NY | | | "Katherine Bowling and Suzanne McClelland," Unique Works on Paper, One Eye Pug, New York, NY | | | "Mixed Signals," curated by Martina Batan, Ronald Feldman Gallery, New York, NY | | | "ULAE-Celebrating Fifty Years with New Editions," Larissa Goldston Gallery, New York, NY | | | "Group Show," Nina Freudenheim Inc., Buffalo, NY |
| "In Words: The Art of Language," University Museums at the University of Delaware, Newark, DE | | | "Hot Off the Press," curated by Janice Oresman, The Grolier Press, New York, NY | | 2006 | "Works on Paper Benefit," Kentler International Drawing Space, Brooklyn, NY | | | "Women in the Bedroom," Larissa Goldston Gallery, New York, NY | | 2005 | "Counting the Ways: Word as Image," Fischer Landau Center for Art, Long Island City, NY | | | "I'm a Child of Divorce Give Me A Break," Cynthia Broan Gallery, New York, NY | | | "In Deep Water," Dinter Fine Art, New York, NY | | | "Artists Pick," Larissa Goldston Gallery, New York, NY | | 2004 | "Face Off," Ronald Feldman Fine Arts, New York, NY | | | "Co-Conspirators: Artist and Collector," Orlando Museum of Art, Orlando, FL and The Chelsea Museum of Art, New York, NY | | | "Word of Mouth," Dinter Fine Art, New York, NY | | 2003 | "Take Out," Dieu Donne Papermill, New York, NY |
| "Ballpoint Inklings," K.S. Art, New York, NY | | | "New Prints 2003/Winter," International Prints Center, New York, NY |
| "ULAE Prints," Robin Rule Gallery, Denver, CO |
| "Tamarind: 40 Years," a traveling exhibition in conjunction with the Tamarind Institute Gallery, Albuquerque, New Mexico; Toledo Museum of Art, OH; Muskegon Museum of Art, MI; Center for Visual Arts, Denver, CO; University of Richmond Museum, Richmond, VA; William D. Cannon Art Gallery, Carlsbad, CA; Kennesaw State University Art Gallery, Kennesaw, GA. |
| "Signs, Symbols & Codes," Elga Wimmer Gallery, New York, NY | | | Group show, Diane Villani Editions, New York, NY | | | "WORD/IMAGE," Westport Arts Center, Westport, CT | | 2002 | Group Show, Barbara Krakow Gallery, Boston, MA |
| "TOYLAND," Alysia Duckler Gallery, Portland, OR |
| "The Artists Against Abuse Plate Auction," The Retreat, East Hampton, NY |
| "Tricky Adios : Hello to Handmade Words," curated by David Humphrey, K.S. Art Gallery, New York, NY | | 2001 | "A Way With Words," Whitney Museum of American Art at Philip Morris, New York, NY |
| "First There Was a Drawing," curated by Gerry Snyder and Michael St. John, The College of Santa Fe Fine Arts Gallery, Santa Fe, NM |
| "Digital Printmaking Now," curated by Marilyn S. Kushner, Brooklyn Museum of Art, Brooklyn, NY | | 2000 | "Blurry Lines," John Michael Kohler Arts Center, Sheboygan, WI |
| "Collectors Choice," curated by Sue Scott, Orlando Museum of Art, Orlando, FL | | | "Unlimited Space," curated by Catherine Perret, Les Filles Du Calvaire, Paris, France | | | "Unique Photographs," Paul Kasmin Gallery, New York, NY | | | "Painting," Paul Kasmin Gallery, New York, NY | | | "Drawings and Photographs," Matthew Marks Gallery, New York, NY | | 1999 | "Painting Language," La Louver Inc, Venice, CA |
| "Gesture and Contemporary Painting," The University of Michigan School of Art, Ann Arbor, MI |
| "Drawn from Artist Collections," curated by Ann Philbin and Jack Shear, The Drawing Center, New York, NY |
| "Abstract Painting 1999" Paul Kasmin Gallery, New York, NY. |
| "Powder," curated by Julie Graham and Maria Friedrich, Aspen Art Museum, Aspen, CO |
| "Immediacies of the Hand: Recent Abstract Painting in New York," curated by Carter Ratcliff and Kim Sobel, Hunter College, New York, NY | | 1998 | "Artist's on Line for ACOR," benefit exhibition, Gagosian Gallery, New York, NY |
| "Group Show," Paul Kasmin Gallery, New York, NY |
| "Group Show," Galerie Lawrence Rubin, Milan, Italy |
| "After School," Visual Arts Museum at the School of Visual Arts, New York, NY |
| "Spring for Art, Art for Spring," Weatherspoon Art Gallery, Greensboro, NC | | | "Suzanne McClelland, Elliott Puckette, Nancy Rubins," Paul Kasmin Gallery, New York, NY | | | "Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997," Armand Hammer Museum of Art at the University of California Los Angeles, Los Angeles, CA, and Senzon Museum of Art, Tokyo, Japan | | | "Masters of the Masters: MFA Faculty of the School of Visual Arts New York 1993-1998," curated by David Shirey, Butler Institute of American Art, Youngstown, OH | | | "Painting Language," La Louver Inc, Venice, CA | | 1997 | "Moving Toward the Millennium," Schmidt Contemporary Art, St. Louis, MO | | | "Heart, Mind, Body, Soul: American Art in the 1990's: Selections from the Permanent Collection," Whitney Museum of American Art, New York, NY |
| "Suzanne McClelland, Elizabeth McGrath and Daniel Wiener," Eugene Binder Gallery, Long Island City, NY |
| "Essential Gestures and Fundamental Signs," Gallery of Art, Johnson County Community College, Overland Park, KS |
| "Artists Respond to 2001: A Space Odyssey," curated by Bruce Pearson. Williamsburg Art and Historical Society, Brooklyn, NY |
| "After the Fall: Aspects of Abstract Painting Since the 1970's," curated by Lilly Wei, Newhouse Center For Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY | | | "Jacqueline Humphries, Suzanne McClelland, Beatriz Milhazes," Betsy Senior Gallery, New York, NY | | | "Irredeemable Skeltons," curated by Mark Harris, Carmel Bukley and Peter Lloyd Lewis. Shillam and Smith Gallery, London, England | | | "Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997," The Corcoran Gallery of Art, Washington D.C. and University of Colorado, Colorado Springs, CO | | | "Sex/Industry," curated by John Yau. Stefan Stux Gallery, New York, NY | | | "New Grounds: Prints and Multiples," The University of South Florida Contemporary Art Museum, Tampa, FL | | | "Sculpture and Works on Paper Based on the Word 'Cube', Carol Szymanski and Suzanne McClelland," Schmidt Contemporary Art, St. Louis, MO | | | "Colour Detour," curated by Faye Hirsch, Apex Art, New York, NY | | 1996 | "Unconditionally Abstract," Schmidt Contemporary Art, St. Louis, MO | | | "96 Seoul International Art Fair," Seoul, Korea | | | "Group Exhibition," Elizabeth Fiore Fine Arts, New York, NY | | | "What I Did on My Summer Vacation," White Columns, New York, NY | | | "Uneasy Surface - Points of Turbulence in Contemporary Art," curated by Judith Tolnick, Fine Arts Galleries at the University of Rhode Island, Kingston, RI |
| "Women's Work," curated by John Saachi, Greene Naftali, New York, NY
| | | "The Baseball Show," Curt Marcus Gallery, New York, NY | | | "On Paper II," Schmidt Contemporary Art, St. Louis, MO | | 1995 | "Group Show," curated by Craig Fisher, E.S. Vandam, New York, NY | | | "Woodwork," Champion Corporation Gallery, CT | | | "Summer 1995," Paul Kasmin Gallery, New York, NY
| | | "Kunstkabinett," curated by Sean Elwood, Center for Contemporary Art, Seattle, WA | | | "Human/Nature," The New Museum of Contemporary Art, New York, NY | | | "Austin Ackles, Luca Buvoli, Mary Jones, Suzanne McClelland," Paul Kasmin Gallery, New York, NY | | | "Material Abuse," curated by Mark Harris, Trans Hudson Gallery, curated by Mark Harris, Jersey City, NJ | | 1994 | "Le Temps D'Un Dessin," L'Ecole des Beaux Arts, L'Orient, France |
| "Stealth," Seafirst Gallery, Seattle, WA |
| "Practicamente Argento/Basically Silver," Studio la Citta, Verona, Italy |
| "Astratta: A Cura di Simona Lodi," Roberts Lette Arte Contemporanea, Volta, Italy |
| "New York New York," Studio d'Arte Barnabo, Venice, Italy |
| "Abstraction: A Tradition of Collecting in Miami," curated by Louis Grauchos and Kate Rawlinson, Center For Fine Arts, Miami, FL | | | "Points of Interest, Points of Departure," John Berggruen Gallery, San Francisco, CA | | | "Heterogeneity-Abstraction and Virtual Space," curated by Leonard Bullock, Out of the Blue, Edinburgh, Scotland | | | "Painting Language," La Louver Gallery, Venice, CA | | | "Re: Visioning the Familiar," curated by Kaus Ottman. Ezra and Cecile Zilkha Gallery, Center for the Arts, Weslyan University, Middleton, CT | | 1993 | "Works on Paper," Jack Hanley Gallery, San Francisco, CA |
| "Universal Limited Art Editions Forthcoming Publications and Recent Editions," Brooke Alexander Gallery, New York, NY |
| "Universal Limited Art Editions," Bobbie Greenfield Gallery, Venice, CA |
| "Paintings," (with Rudolf Stingel & Dan Walsh), Paula Cooper Gallery, New York, NY |
| "Toolbox," (with Luigi Carboni, Stefano Cattaneo, Mauro Dolci, Fabian Maraccio, Carl Ostendarp, Jack Risley), Studio la Citta, Verona, Italy. |
| "Suzanne McClelland and Gail Fitzgerald," Schmidt Contemporary Art, St. Louis, MO |
| "Summer Reading," Texas Gallery, Houston, TX |
| "Drawing the Line against AIDS," Amfar Benefit, Guggenheim Museum , Venice, Italy and New York, NY |
| "Foundation for Contemporary Performance Arts," benefit exhibition, Leo Castelli Gallery, New York, NY |
| "Extravagant," curated by Jonathan Seliger, Russisches Kulturzentrum in conjunction with Sylvia Menzel Gallery, Berlin, Germany |
| "Irony and Ecstasy," curated by Klaus Ottmann, Salama-Caro Gallery, London, England |
| "Single Frame: Ideal Moments of (Ir)rational Totality," John Good Gallery, New York, NY |
| "Biennial Exhibition," curated by Lisa Phillips, The Whitney Museum of American Art, New York, NY
| | | "Works on Paper," (with Karen Kilimnik, Glen Ligon & Daniel Oats), Jack Hanley Gallery, San Francisco, CA | | | "I am the Enunciator," curated by Christian Leigh, Thread Waxing Space, New York, NY | | 1992 | "Developing Language," curated by Klaus Kertess, Hirschl And Adler Modern, New York, NY | | | "Group Show," Theuretzbacher Gallery, Vienna, Austria | | | "Painting," (with Keith Coventry, David Dupuis, Carl Ostendarp, Fred Tomaselli), Jack Hanley Gallery, San Francisco, CA | | | "Letter 'S' Road," curated by Barry Schwabsky, Art Omi, New York, NY
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| "Off Balance," (with Karin Davie, Scott Grodesky, Fabian Maraccio, Carl Ostendarp, Donald Powley, Michael Rees & Jack Risley), Jason Rubell Gallery, Palm Beach, FL |
| "Drawings," Stuart Regan Gallery, Los Angeles, CA |
| "Contextures & Constructures (with David Dupuis, Charles Long, Fabian Maraccio, Carl Ostendarp, Donald Powley, Michael Rees & Jack Risley), curated by Jonathan Seliger, Rubinstein/Diacono Gallery, New York, NY |
| "Encounters with Diversity," PS 1, Long Island City, NY
| | | "How It Is," curated by Jonathan Seliger, Tony Shafrazi Gallery, New York, NY | | 1991 | Comments on 'Nomos,'" curated by Robert Mahoney, Penine Hart Gallery, New York, NY | | | "New York Diary: Almost 25 Different Things," curated by Zdenka Gabolova and Ryszard Wasko, collaborative installation with Carol Symanski. PS 1, Long Island City, NY | | | "Breathing Room," (with Wendy Jacob, Alan Rath, Michael Rees, Carol Szymanski), Amy Lipton Gallery, New York, NY | | | "Nayland Blake, Suzanne McClelland, Teddy Shapiro, Ilyse Soutine, Chris Wilder," Petersburg Gallery, New York, NY
| | 1990 | "To Know a Hawk From a Handsaw," (with Mitchell Kane, Annete Lemieux, Claudia Matzko & Mary Weatherford), Wolff Gallery, New York, NY | | | "Action For Auction," Act Up, New York, NY | | 1989 | "Line," curated by Loren Madsen, Visual Arts Gallery, New York, NY
| | | "Homeland," curated by Yong Soon Min, Shirin Neshat, Minor Injury, Brooklyn, NY | | 1985 | "Homeless at Home," Storefront for Art & Architecture, New York, NY | | 1984 | "1984 - A Preview," Ronald Feldman Fine Arts, New York, NY
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SELECTED BIBLIOGRAPHY| 2008 | Kino, Carol, Schwabsky, Barry and Scott, Sue, Rock and Shift, Hard Press Editions with One Eye Pug | | | Momin, Shamim M. and Weinberg, Adam, Whitney Museum of Art at Altria, Yale University Press | | | Slip, exhibition catalog, Larissa Goldston Gallery | | 2007 | Heartney, Eleanor, Posner, Helaine, Princenthal, Nancy, & Scott, Sue, After the Revolution: Women Who Transformed Contemporary Art, Prestel Publishing |
| Princenthal, Nancy, "Suzanne McClelland at David Krut," Art in America (November, 2007) | | 2005 | Maine,Stephen, "Suzanne McClelland at Larissa Goldston," Art in America (October 2005) | | | Johnson, Ken, "Art in Review: Im a Child of Divorce Give Me a Break," The New York Times (September 30, 2005) | | 2004 | Westfall, Stephen, "Suzanne McClelland at KS Arts," Art in America, (April, 2004) | | | Scott, Sue, "Co-Conspirators, The Making of a Collection," exhibition catalog essay, Orlando Museum of Art | | | Rubenstien, Raphael , "Independent and International: Highlights of Cottrell-Lovett Collection," exhibition catalog essay, Orlando Museum of Art | | 2003 | Iles, Chrissie. "Best of 2003," Artforum, (December 2003) | | 2002 | Dailey, Meghan. "Suzanne McClelland" Vitamin P: New Perspectives in Painting, Phaidon Press | | | Schwabsky, Barry, "Painting in the Interrogative Mode ," Vitamin P: New Perspectives in Painting, Phaidon Press | | 2001 | Princenthal, Nancy. "Talking Points: Conversation in the Art of Sophie Calle, Joseph Grigely and Suzanne McClelland, " Art on Paper, (May/June, 2000) |
| Scott, Sue. "Suzanne McClelland: Enough Enough," exhibition catalog essay, Orlando Museum of Art |
| McClelland, Suzanne, "Mr. Man, Working Proof,"Art on Paper (July/August, 2001) | | | Lebowitz, Cathy, "Suzanne McClelland at Paul Kasmin," Art in America (April, 2001) | | | Zinsser, John, "Review" Artnet.com, (January 2001) | | | Schwabsky, Barry. "Suzanne Mcclelland at Paul Kasmin," Artforum (January 2001) | | 2000 | McClelland, Suzanne, "Working Proof," Art on Paper,(December 2000) | | | Dalton, Jennifer, "Exhibition Preview," Art and Auction, (October 2000) | | | Valdez, Sarah. "Summer 2000: Unique Photographs," Time Out New York, No. 254 (August 3-10, 2000) | | | Aletti, Vince. "Unique Photographs," The Village Voice, Vol. XLV, No. 30 (August 1, 2000) | | | Kraft, Von Martin. "Wortgemalde," Zuritipp, (August 31, 2000) | | | McClelland, Suzanne, "Working Proof," Art on Paper, (March/April 2000) | | | Elwood, Sean, "Plot" exhibition catalog Galerie Lutz + Thalmann | | 1999 | Prose, Francine. "The Gallery: The Artist as Curator," The Wall Street Journal, (May 20 1999) | | | Cotter, Holland, "Immediacies of the Hand: Recent Abstract Painting in New York," New York Times, (April 8, 1999) | | | Hirsch, Fay. "Working Proof: Just Relax," set of 8 photogravures Art on Paper, February, 1999) | | | Everett, Deborah. "Reviews," New York Arts Magazine, Vol. 4 No. 3 | | | Osksenhorn, Stewart. "The Power of Powder," Aspen Times Weekly, (March, 1999) |
| Friedrich, Maria and Graham, Julie, "Powder: An Introduction," exhibition catalogue essay, Aspen Art Museum | | | Wilkin, Karen. "At the Galleries," Partisan Review (Winter, 1999) | | 1998 | Johnson, Ken, "Art in Review: Suzanne McClelland at Paul Kasmin," The New York Times (December 11,1998) | | | Mahoney, Robert, "Suzanne McClelland, mothertongues at Paul Kasmin Gallery,"Time Out New York, (December 10-17, 1998) | | | "Review" The New Yorker, (December 7&14, 1998) | | | Bell, J. Bowyer, "Exhibition Review," Review (December 1, 1998) | | | Shirley, David, "Abstract Views," Los Angeles Times, (August 28, 1998) | | | Singer, Clyde. "Exhibits Offer Bend of New with Traditional," The Vindicator, (April 5, 1998) | | | "Collection Portrays the Art of America, The Vindicator (April 9, 1998) | | | Shinn, Dorothy. "Show Disproves Adage "Those Who Can't ...", The Beacon Journal, (April 12, 1998) | | | Shirey, David. "Masters of the Masters, MFA Faculty of the School of Visual Arts, New York, 1983-1998," exhibition catalog essay (April 5-May 17, 1998) | | | "Suzanne McClelland at LA Louver," Los Angeles Times (August 28, 1998) | | 1997 | Capalazzo, Amy and Drieshpoon, Doug, "Interview with Suzanne McClelland" Weatherspoon Art Gallery Exhibition Catalogue, Weatherspoon Gallery | | | "Time Suite," Art on Paper, Vol. 1 No. 5 (May-June, 1997), p 40-41 | | | "New Works," Esquire Thailand, Vol. 3, No. 5(May, 1997) | | | Bianchi, Mary, "Interview with Suzanne McClelland," A Journal of Art, Cornell University (May, 1997) | | | Brecelic, Thomas, "Words=space+color," Thailand Times (March 15, 1997) | | | Fisher, Jim, "New Art on Display at College," The Campus Ledger, Johnson County Community College, (December 4, 1997) | | | Lutz, Gabriele, "Suzanne McClelland: New Paintings and Drawings," exhibition catalogue essay, Galerie Lawrence Rubin | | | Pettifor, Steven, "Abstracting the Feeling of Language," The Nation, (March 17, 1997) | | | Phoborisut, Penchan. "Language in Art," The Bangkok Post, (March 23-29, 1997) | | | Rainat, Joyce. "Visualizing Speech," Bangkok Post, (March 5, 1997) | | | Rubinstein, Raphael. "Suzanne McClelland: The Spell(ing) of Painting," exhibition catalogue essay, Galerie Kyoko Chirathivat, Bangkok | | | Thorson, Alice. "New Realities of Abstraction," The Kansas City Star, (November 3, 1997) | | | Ostrow, Saul. "Essential Gestures and Fundamental Signs," exhibition catalog essay, Johnson County Community College | | | Pagel, David, "Found In The Translation," The Los Angeles Times (July, 1997) | | 1996 | Schwabsky, Barry. "Carnal Meteorology," exhibition catalogue essay, Paul Kasmin Gallery | | | Smith, Roberta. "Art in Review: Suzanne McClelland at Paul Kasmin Gallery," The New York Times, April 6, 1996) | | | Smith, Roberta. "Art View: The Gallery Doors Open to the Long Denied," The New York Times, (May 26, 1996) | | | Mahoney, Robert. "Suzanne McClelland at Paul Kasmin," Artnet.com, (May, 1996) | | | Bell, J. Bowyer. "Suzanne McClelland," Review, (May, 1996) | | | Griffin, Tim. "Suzanne McClelland," Time Out New York, May 8-15, 1996) | | 1995 | Raynor, Vivien. "Unsettling Social Commentary with Materialsas 'Victims'," The New York Times (March 19, 1995) | | | Miles, Unger, "Exhibition Review at Barbara Krakow Gallery," Art New England (April/May, 1995) | | | Campbell, Shane, "An Interview with Visiting Artist Suzanne McClelland," News Magazine, School of the Art Institute of Chicago (April, 1995) | | | Harris, Mark, "Material Abuse," for exhibition catalogue essay, Trans Hudson Gallery | | | McClelland, Suzanne, "Jill Baroff, Lauren Szold and Ida Applebroog," Bomb Magazine (Spring, 2005) | | | Myers, Terry R., "Suzanne McClelland, Paul Kasmin Gallery," The New Art Examiner, (March, 1995) | | | Wilkin, Karen, "At The Galleries," Partisan Review (Spring, 1995) | | | "Review: Family Photo," The Print Collector's Newsletter, (Jan./Feb, 1995) | | | Adams, Brooks, "Expatriate Dreams," Art in America, (February, 1995) | | | Stapen, Nancy. "Artist's Eye Eternal Cycles," The Boston Globe (January 26, 1995) | | | Bankowsky, Jack. "The Art of the Matter: Curating the Whitney Biennial," an interview With Klaus Kertress, Artforum (January, 1995) | | 1994 | Aukeman, Anastasia, "New Art Finds Buyers Ready," Art Newsletter, (November 15, 1994) | | | Cotter, Holland, "Art in Review: Suzanne McClelland," The New York Times (October 31, 1994) | | | Rubinstein, Raphael, "Abstraction in a Changing Environment, (interviews with Suzanne McClelland, Richmond Burton, Lydia Dona & Fabian Marcaccio)," Art in America, (October, 1994) | | | Drogin, David and Berresford, Lee, "Suzanne McClelland," Re: Visioning The Familiar, Ezra and Cecile Zilkha Gallery Center for the Arts, Wesleyan University | | | Frank, Peter, "Art Picks of the Week: Suzanne McClelland, John Newman," L.A. Weekly, (June 3, 1994) | | | Kawakita, Yoichi, "Suzanne McClelland" Men's Club Japan (May, 1994) | | | Hirsch, Faye, "Suzanne McClelland: New Paintings," exhibition catalogue essay, L.A. Louver | | | Pagel, David, "Finding Meaning in the Muffled Mess," The Los Angeles Times (May 19, 1994) | | | Iannacci, Anthony, "Suzanne McClelland," Titolo, (Winter 1993/94) | | | Ronnau, Jens, "Painting Made in New York," Fleasbangs Nachricsten, (March 2, 1994) | | | Choon, Angela, "Sense and Sensibility: Artists Translate Sensations into Form," Art & Antiques, (February, 1994) | | 1993 | Shepling, Carol Ferring, "New Yorkers: Free Spirited by Design: End Justifies the Means for McClelland, Fitzgerald," St, Louis Dispatch, (November 18, 1993) | | | Hirsch, Faye, "Word Turf," Lingo, No. 2 | | | Ianacci, Anthony, "Review: Toolbox," Titolo (Spring, 1993) | | | Ianacci, Anthony, "Speciale Artisti in Mostra, Toolbox," Segno: Attualita Internazionali D'arte Contemporanea (May, 1993) | | | Bortolotti, Maurizio, "Toolbox," Tema Celeste: Arte Contemporanea, (Summer, 1993) | | | "Drawing" Bomb Magazine (Summer, 1993) pp 78-79 | | | Hirsch, Faye, "For The Record: An Interview with Suzanne McClelland," The Print Collectors Newsletter (September/October, 1993) | | | Ottman, Klaus, "Developing Language," exhibition essay, SalmaCaro Gallery | | | Meneghelli, Luigi, "Con il bisturi sulle tele: Quasi un' autopsia per indagare sulke morte Dell'ane Toolbox ," L'Arena (March 22, 1993) | | | Phillips, Lisa, "No Man's Land: Art At The Threshold of a Millennium," Biennial Exhibition catalogue, Whitney Museum of American Art | | | McClelland, Suzanne, Right, Jason Rubell Gallery, Palm Beach, FL | | 1992 | Seliger, Jonathan, "Contextures and Constructures," exhibition essay, Rubenstein/Diacomo Gallery | | | Ottman, Klaus, "Against the Grain," exhibition essay, Galerie Theuretzbacher | | | Kertess, Klaus, "Developing Language," exhibition essay for Hirshl & Adler Modern | | | Golden, Thelma, "Painting: Suzanne McClelland," exhibition cataog essay, Whitney Museum of American Art at Philip Morris | | | Smith, Roberta. "Art in Review: Suzanne McClelland at The Whitney Museum of American Art at Philip Morris," The New York Times (December 18, 1992) | | | Faye, Hirschl "Written on the Wind," Tema Celeste (April/May, 1992) | | | Donegan, Cheryl, "Female Heroism: One Portrayal, Four Portraits," Tema Celeste (November/December,1992) | | | Blanchard, Paul, "Letter 'S' Road: Remarks on Site "ART Omi , Omi, NY." Tema Celeste, (Autumn,1992) | | | Kertess, Klaus, "Three Artists for the 90's," Elle Decor, (August/September, 1992) | | | Sjostram, Jan, "New Palm Beach Galleries Present Intriguing Summer Show," Palm Beach Daily News, (July 22, 1992) | | | Pazzi, Caterina. "Ow, he, he ah, ha," Giomali Delle Arte (June | | | Kazanjian, Dodie, "Abstract Expressions," VOGUE MAGAZINE, June, 1992) | | | Ianacci, Anthony, "Toolbox," Segno (May/June, 1992) | | | Siegel, Jeanne, "Suzanne McClelland," Tema Celeste (April/May, 1992) | | | Yau, John, "Suzanne McClelland," Artforum (February, 1992) | | | Rubell, Jennifer, "Interview: Suzanne McClelland," exhibition catalogue, Jason Rubell Gallery | | | Saltz, Jerry."Let It Rain, Suzanne McClelland's Doors of Perception" exhibition catalogue essay, Jason Rubell Gallery | | | Wolff, Millie."Suzanne McClelland," Palm Beach Today (February 1, 1991) | | | Cameron, Dan, "The Changing Tide," Art & Auction, (January, 1991) | | 1990 | Schwabsky, Barry, "Suzanne McClelland," Arts Magazine (December, 1990) | | | Mahoney, Robert, "Comments on Nomos," exhibition catalogue essay, Penine Hart Gallery | | | Smith, Roberta, "Art in Review: Suzanne McClelland," The New York Times (October 18, 1990) | | | Hirsch, Faye, "Suzanne McClelland," exhibition catalogue essay, Stephanie Theodore Gallery | | | Salz, Jerry, "Cries and Whispers," Arts Magazine (Summer, 1990) | | | Larson, Kay, "Foreign Intrigue," New York Magazine (May 20, 1990) | | | Kaneda, Shirley, "Paintings and It's Others in the Realm of the Feminine," Arts Magazine (Summer, 1990) | | | Yau John, "Flee Advice," Collectif Generation |
EDUCATION| 1989 | MFA, School of Visual Arts, New York, NY
| | 1981 | BFA, University of Michigan, Ann Arbor, MI
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PUBLIC COLLECTIONS| | Brooklyn Museum, Brooklyn, NY | | | Museum of Modern Art, New York, NY
| | | Norton Simon Museum, Pasadena, CA | | | New York Public Library, New York, NY
| | | Orlando Museum of Art, Orlando, FL | | | Paine Webber, New York, NY | | | St. Louis Art Museum, St. Louis, MO | | | Whitney Museum of American Art, New York, NY
| | | Southwestern Bell Corporation, Houston, TX | | | Fried, Frank, Harris, Shriver & Jacobson, New York, NY
| | | Norton Museum of Art, West Palm Beach, FL | | | The Jane Voorhees Zimmerli Art Museum, Rutgers University, NJ | | | Walker Art Center, Minneapolis, MN | | | Miami Museum of Art, Miami, FL | | | Art Museum of Southwest Texas, Bueumont, TX | | | Museum of Contemporary Art San Diego, CA | | | Miami Art Museum, Miami, FL | | | Detroit Institute of Fine Art, MI | | | Grunwald Center for the Graphic Arts at UCLA Hammer Museum, CA | | | Progressive Corporation, Cleveland, OH | | | Albertina Museum, Vienna, Austria | | | Wellington Management Company, Boston, MA |
GRANTS/AWARDS| 2008 | Nominee for Anonymous Was a Woman Award
| | | Nominee for Lucelia Artist Award
| | | Nominee for Joan Mitchell Foundation Grant
| | 2006 | Nancy Graves Grant for Visual Arts |
| AXA Artist Award | | 2002 | Visual Harlem Artist Exchange Jacob Lawrence Foundation | | 2001 | Pollack Krasner Grant | | 1999 | Skowhagen School of Painting and Sculpture, Resident Faculty | | 1990 | P.S. 1 Contemporary Art Center, Clocktower Studio Program, Artists Residency |
TEACHING POSITIONS | 1997 - Present | School of Visual Arts MFA Program , Faculty, New York, NY | | 2008 | Virginia Commonwealth University, Visiting Professor, Richmond, VA | | 2007 | Pratt Institute, Visiting Professor, Brooklyn, NY | | 2006 | Rutgers University, Visiting Professor, New Brunswick, NJ | | 2004-5 | Cooper Union School of Art , Adjunct Instructor, New York, NY | | 1999 | Yale University School of Art, Department of Painting and Drawing, Senior Critic, New Haven, CT | 1993 -
1997 | New York University, Department of Fine Arts, Adjunct Faculty. New York, NY |
LECTURES, SYMPOSIUMS & VISITING ARTIST2008
| Virgina Commonwealth University, lecture, Richmond, VA
| | | University of Richmond, lecture, Richmond, VA
| | | Anderson Ranch, visiting artist, Snowmass Village, CO
| | 2007 | Rutgers University, lecture, New Brunswick, NJ
| | 2005 | Bard College, Sculpture Department, lecture, Annandale-on-Hudson, NY | | | Jewish Museum, panel moderated by Joan Snyder, Helaine Posner and Susie Rei, New York, NY | | 2004 | University of Wisconsin, Madison Print Club, lecture, Madison, WI | | 2002 | Anderson Ranch Arts Center, Visiting Artist, Aspen, CO | | | University of Michigan School of Art and Design, Penny W. Stamps, Distinguished Visitors Series, lecture, Ann Arbor, MI | | | Tyler School of Art, Temple University, lecture, Pittsburg, PA | | 2000 | Provincetown Fine Arts Work Center, lecture, Provincetown, MA | | 1999 | Pratt Institute, lecture, Brooklyn, NY | | | Ohio University, lecture, Athens, OH | | | Provincetown Fine Arts Work Center, lecture, Provincetown, Massachusetts | | 1998 | Washington University School of Arts, lecture, St. Louis, MO | | 1997 | Parsons School of Design, Graduate Painting Department, lecture, New York, NY | | | University of North Carolina at Greensboro, Weatherspoon Art Gallery, Falk Visiting Artist, Greensboro, NC | | | Hunter College, MFA Program. April, lecture, New York NY | | | Cornell University College of Architecture, Art and Planning, Department of Art, lecture, Ithaca, NY | | | Independent Curators Incorporated, New York Studio Event, lecture, New York, NY | | 1996 | Whitney Museum of American Art , Education Department. lecture, New York, NY
| | | Parsons School of Design, Graduate Painting Department. lecture, New York, NY
| | | University of Texas School of Visual Arts, lecture, Denton, TX | | | School of the Museum of Fine Arts, Boston, MA
| | 1995 | University of Houston, lecture, Houston, TX | | | Cranbrook Institute of the Arts, lecture, Birmingham, MI | | | California State University Summer Arts at Humboldt State University, "Painting and Beyond," lecture, Arcata, CA | | | Kent State University, School of Art, lecture, Kent, OH | | | School of the Art Institute of Chicago, Undergraduate, Graduate programs, visit and lecture, Chicago, IL
| | | Syracuse University, School of Art and Design, "The Fourth Annual Matrilineage Symposium: Women, Art and Change- The Committee on Women and Art," Syracuse, NY | | | Tyler School of Art, Temple University, Pittsburgh, PA | | 1994 | University of California, Los Angeles, "Painting Language Symposium," moderated by David Pagel with the participation of Lydia Dona, Jeremy Gilbert-Rolfe, Suzanne McClelland, Fabian Marcaccio, John Miller and Matthew Weinstein, Los Angeles, CA
| | 1993 | Rhode Island School of Design, lecture, Providence, RI
| | | Columbia University, Graduate Painting Program, lecture, New York, NY
| | | Empire State College, lecture, New York, NY
| | | School of Visual Arts, MFA Program, lecture, New York, NY | | | Whitney Museum of American Art "Artists and Youth: A Dialogue on the Biennial," New York, NY
| | | The Museum of Modern Art, "Conversations with Contemporary Artists," lecture, New York, NY | | 1992 | Whitney Museum of American Art, Panel moderated by Lisa Phillips with Carroll Dunham, Suzanne McClelland, Pat Steir, Phillip Taffe and Terry Winters, New York, NY
| | | Whitney Museum of American Art at Philip Morris, Visits with New York City Public School Students, workshop and lecture, New York NY
| | | Whitney Museum of American Art at Philip Morris, "A Site Specific Work: Conversation with Thelma Golden," New York, NY
| | | New York University, Department of Fine Arts, New York, NY. visit & lecture |
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